Hans Ulrich Obrist

On the eve of his Tate Britain survey, Ed Atkins reflects on avatars, affect and why writing remains at the core of his practice

The designer and curator talk about fashion, friendship, star signs and ‘Memories of the Future’ – Capaldo’s new exhibition at No.9 Cork Street

To celebrate the release of his new book, Remember to Dream! 100 Artists, 100 Notes, the author and curator shares a list of literary works that have inspired him

Cleverly combining digital models, existing artworks, new commissions and archival material, the group exhibition at ZKM, Karlsruhe, recreates two historic shows

Presented in partnership with the Serpentine. Episode coming soon to Spotify, Apple Podcasts and frieze.com

Exploring themes of identity, originality, geopolitics and Blackness through a historical lens, the new Frieze Masters Podcast is now available

A special interview hosted in collaboration with Kasmin Gallery on the occasion of the artist's exhibition James Nares: All I Know at Frieze No. 9 Cork Street, London

The Artistic Director of the Serpentine Galleries on the brilliance and generosity of the late French artist

The actress and artist talk to Hans Ulrich Obrist about their environmental activism

An insight into the 2019-20 Serpentine Digital Commissions

Watch artist Mark Bradford in conversation with Hans-Ulrich Obrist at Frieze Masters 2019

The only woman affiliated with the Arte Povera movement resisted machines, definitions and permanence

Paying tribute to the legendary designer and his passion for books

His design will emerge from Kensington Gardens like a low-lying cloud, with its interior intended as ‘a refuge for contemplation’

‘I started to read Mayröcker’s work obsessively. She became one of the few writers whose every written word I have read’

With 12 hours of talks (and only one 20-minute break) on a Saturday, the Serpentine Marathon illustrates how the art world plays by its own rules

On the socially committed architecture of Diébédo Francis Kéré, winner of this year’s Serpentine Pavilion commission

Colin Siyuan Chinnery considers the development of China’s non-profit sector and its relationship with the international art scene