Music

Shon Faye pays tribute to the pioneering musician and producer whose generation-defining music will live on in the exultations of the dance floor 

In the latest episode of frieze’s Autumn Sessions, the two friends play and discuss records that create or bridge distance

frieze editor Andrew Durbin speaks to the author about his new essay on Bollywood for the November/December issue

Can the story of performer and activist Paul Robeson help us reconcile universalism with Black progress? 

Presented in partnership with BMW, Lianne La Havas gave an exclusive solo performance followed by a live conversation with frieze’s Jennifer Higgie for a special episode of podcast Bow Down

The musician’s retrospective album proves he has long been ahead of his time – and out of this world

Charles Aubin, Aruna D’Souza, Brendan Fernandes, Ligia Lewis and Paul Maheke take stock of the performance world in the wake of COVID-19 

The writer and musician’s latest album, Mandinga Times, is a bracing ode to apocalyptic collapse

The album is a timely affirmation for the global African diaspora, but it can’t be accepted as a universal representation of global Blackness

Pop Smoke’s posthumous release is an authoritarian play on the senses

The artist’s ambitious fourth studio album is a genre-bending journey of defiance and radiant elation

For David Grubbs, an onrush of music has led to a rethinking of musical ‘speed’ itself

After Hours is filled with a familiar, sometimes crushing, sense of yearning for something more

For her latest show at Kerlin Gallery, the artist incites a state of half-recognition reminiscent of Alzheimer’s 

The 2013 album is a compelling record of our collective fracturing 

The restless, rageful ‘No Home Record’ lures as much as it discomfits

From blues to jazz to the baroque – new fiction from Claire-Louise Bennett

Ian F. Martin traces the life and career of the pioneering Japanese musician, on the 50th anniversary of his first record

Recent R&B albums by Kelela, Lafawndah, serpentwithfeet and Solange tune to newly radiant blues

‘I was 13, with a group of friends, and it was my first time hearing anything so Black and British – and, also, so working class’