US Reviews

The artist’s survey at Museo de Arte Contemporáneo de Monterrey, Mexico, demonstrates his commitment to liberatory notions of nationhood, kinship and art itself

The inaugural edition, ‘The Exchange’, asks us to meet art where we are: together, outside, in public

At REDCAT, Los Angeles, the artist parses the relationship between the US military and Hollywood in an effort to understand her father

At Massachusetts Museum of Contemporary Art, North Adams, the artist holds a speculative funeral for the glacier of their childhood

At Canal Projects, New York, the artist explores connection itself with an erotic choreography of mechanical repair

Spanning Gladstone Gallery and Sprüth Magers in New York, the conceptual artist’s doubleheader revisits and remixes old work

At MIT List Visual Arts Center, Cambridge, the artist’s bisected interiors and celestial projections attune viewers to their everyday environments

At Chapter NY, New York, the artist’s chemical paintings evoke industrial processes and spontaneous reactions

The pioneering artist, who has worked with machine vision since the 1970s, gets the retrospective treatment at the Buffalo AKG Art Museum

At Tanya Bonakdar Gallery, New York, the artist’s latest exhibition posits a new method for performing

As the US administration withdraws LGBTQ+ resources, a show at the Tang Teaching Museum, Saratoga Springs, celebrates queer lives

The Coachella Valley biennial toes a line between social-media shareability and thoughtful reflection on local histories of landscape

At Soft Network, New York, a show of the East Village artist’s photographs and archival materials paints a picture of her queer community

At MoMA, New York, a gripping retrospective traces decades of the artist’s experimentation with the medium

At Templon Gallery, New York, the artist’s pointilist canvases probe the politics of legibility and identity

Building on his presentation at the Venice Biennale, the artist’s show at The Bell, Providence reflects on diasporic wisdoms

At BANK NYC, the show is most effective when it engages with haptics at a distance

At Fraenkel Gallery, San Francisco, a show of abandoned projects sees the artist contemplating endings

Overtaking two of Matthews Marks Gallery’s New York locations, her installations explode stale hierarchies of taste

In her exhibition at Management, New York, the artist presents a dissolving model city with an uncertain afterlife